The Gothic Terror MEGAPACK ™: 17 Classic Tales Read online

Page 23


  “When she was young,” I began, and my voice failed me for a moment, and it was only with a great effort that I was able to add, “was she like Olalla?”

  “Now God forbid!” exclaimed the Padre. “God forbid that any man should think so slightingly of my favourite penitent. No, no; the Senorita (but for her beauty, which I wish most honestly she had less of) has not a hair’s resemblance to what her mother was at the same age. I could not bear to have you think so; though, Heaven knows, it were, perhaps, better that you should.”

  At this, I raised myself in bed, and opened my heart to the old man; telling him of our love and of her decision, owning my own horrors, my own passing fancies, but telling him that these were at an end; and with something more than a purely formal submission, appealing to his judgment.

  He heard me very patiently and without surprise; and when I had done, he sat for some time silent. Then he began: “The church,” and instantly broke off again to apologise. “I had forgotten, my child, that you were not a Christian,” said he. “And indeed, upon a point so highly unusual, even the church can scarce be said to have decided. But would you have my opinion? The Senorita is, in a matter of this kind, the best judge; I would accept her judgment.”

  On the back of that he went away, nor was he thenceforward so assiduous in his visits; indeed, even when I began to get about again, he plainly feared and deprecated my society, not as in distaste but much as a man might be disposed to flee from the riddling sphynx. The villagers, too, avoided me; they were unwilling to be my guides upon the mountain. I thought they looked at me askance, and I made sure that the more superstitious crossed themselves on my approach. At first I set this down to my heretical opinions; but it began at length to dawn upon me that if I was thus redoubted it was because I had stayed at the residencia. All men despise the savage notions of such peasantry; and yet I was conscious of a chill shadow that seemed to fall and dwell upon my love. It did not conquer, but I may not deify that it restrained my ardour.

  Some miles westward of the village there was a gap in the sierra, from which the eye plunged direct upon the residencia; and thither it became my daily habit to repair. A wood crowned the summit; and just where the pathway issued from its fringes, it was overhung by a considerable shelf of rock, and that, in its turn, was surmounted by a crucifix of the size of life and more than usually painful in design. This was my perch; thence, day after day, I looked down upon the plateau, and the great old house, and could see Felipe, no bigger than a fly, going to and fro about the garden. Sometimes mists would draw across the view, and be broken up again by mountain winds; sometimes the plain slumbered below me in unbroken sunshine; it would sometimes be all blotted out by rain. This distant post, these interrupted sights of the place where my life had been so strangely changed, suited the indecision of my humour. I passed whole days there, debating with myself the various elements of our position; now leaning to the suggestions of love, now giving an ear to prudence, and in the end halting irresolute between the two.

  One day, as I was sitting on my rock, there came by that way a somewhat gaunt peasant wrapped in a mantle. He was a stranger, and plainly did not know me even by repute; for, instead of keeping the other side, he drew near and sat down beside me, and we had soon fallen in talk. Among other things he told me he had been a muleteer, and in former years had much frequented these mountains; later on, he had followed the army with his mules, had realised a competence, and was now living retired with his family.

  “Do you know that house?” I inquired, at last, pointing to the residencia, for I readily wearied of any talk that kept me from the thought of Olalla.

  He looked at me darkly and crossed himself.

  “Too well,” he said, “it was there that one of my comrades sold himself to Satan; the Virgin shield us from temptations! He has paid the price; he is now burning in the reddest place in Hell!”

  A fear came upon me; I could answer nothing; and presently the man resumed, as if to himself: “Yes,” he said, “O yes, I know it. I have passed its doors. There was snow upon the pass, the wind was driving it; sure enough there was death that night upon the mountains, but there was worse beside the hearth. I took him by the arm, Senor, and dragged him to the gate; I conjured him, by all he loved and respected, to go forth with me; I went on my knees before him in the snow; and I could see he was moved by my entreaty. And just then she came out on the gallery, and called him by his name; and he turned, and there was she standing with a lamp in her hand and smiling on him to come back. I cried out aloud to God, and threw my arms about him, but he put me by, and left me alone. He had made his choice; God help us. I would pray for him, but to what end? there are sins that not even the Pope can loose.”

  “And your friend,” I asked, “what became of him?”

  “Nay, God knows,” said the muleteer. “If all be true that we hear, his end was like his sin, a thing to raise the hair.”

  “Do you mean that he was killed?” I asked.

  “Sure enough, he was killed,” returned the man. “But how? Ay, how? But these are things that it is sin to speak of.”

  “The people of that house…” I began.

  But he interrupted me with a savage outburst. “The people?” he cried. “What people? There are neither men nor women in that house of Satan’s! What? have you lived here so long, and never heard?” And here he put his mouth to my ear and whispered, as if even the fowls of the mountain might have over-heard and been stricken with horror.

  What he told me was not true, nor was it even original; being, indeed, but a new edition, vamped up again by village ignorance and superstition, of stories nearly as ancient as the race of man. It was rather the application that appalled me. In the old days, he said, the church would have burned out that nest of basilisks; but the arm of the church was now shortened; his friend Miguel had been unpunished by the hands of men, and left to the more awful judgment of an offended God. This was wrong; but it should be so no more. The Padre was sunk in age; he was even bewitched himself; but the eyes of his flock were now awake to their own danger; and some day—ay, and before long—the smoke of that house should go up to heaven.

  He left me filled with horror and fear. Which way to turn I knew not; whether first to warn the Padre, or to carry my ill-news direct to the threatened inhabitants of the residencia. Fate was to decide for me; for, while I was still hesitating, I beheld the veiled figure of a woman drawing near to me up the pathway. No veil could deceive my penetration; by every line and every movement I recognised Olalla; and keeping hidden behind a corner of the rock, I suffered her to gain the summit. Then I came forward. She knew me and paused, but did not speak; I, too, remained silent; and we continued for some time to gaze upon each other with a passionate sadness.

  “I thought you had gone,” she said at length. “It is all that you can do for me—to go. It is all I ever asked of you. And you still stay. But do you know, that every day heaps up the peril of death, not only on your head, but on ours? A report has gone about the mountain; it is thought you love me, and the people will not suffer it.”

  I saw she was already informed of her danger, and I rejoiced at it. “Olalla,” I said, “I am ready to go this day, this very hour, but not alone.”

  She stepped aside and knelt down before the crucifix to pray, and I stood by and looked now at her and now at the object of her adoration, now at the living figure of the penitent, and now at the ghastly, daubed countenance, the painted wounds, and the projected ribs of the image. The silence was only broken by the wailing of some large birds that circled sidelong, as if in surprise or alarm, about the summit of the hills. Presently Olalla rose again, turned towards me, raised her veil, and, still leaning with one hand on the shaft of the crucifix, looked upon me with a pale and sorrowful countenance.

  “I have laid my hand upon the cross,” she said. “The Padre says you are no Christian;
but look up for a moment with my eyes, and behold the face of the Man of Sorrows. We are all such as He was—the inheritors of sin; we must all bear and expiate a past which was not ours; there is in all of us—ay, even in me—a sparkle of the divine. Like Him, we must endure for a little while, until morning returns bringing peace. Suffer me to pass on upon my way alone; it is thus that I shall be least lonely, counting for my friend Him who is the friend of all the distressed; it is thus that I shall be the most happy, having taken my farewell of earthly happiness, and willingly accepted sorrow for my portion.”

  I looked at the face of the crucifix, and, though I was no friend to images, and despised that imitative and grimacing art of which it was a rude example, some sense of what the thing implied was carried home to my intelligence. The face looked down upon me with a painful and deadly contraction; but the rays of a glory encircled it, and reminded me that the sacrifice was voluntary. It stood there, crowning the rock, as it still stands on so many highway sides, vainly preaching to passers-by, an emblem of sad and noble truths; that pleasure is not an end, but an accident; that pain is the choice of the magnanimous; that it is best to suffer all things and do well. I turned and went down the mountain in silence; and when I looked back for the last time before the wood closed about my path, I saw Olalla still leaning on the crucifix.

  BARBARA OF THE HOUSE OF GREBE, by Thomas Hardy

  It was apparently an idea, rather than a passion, that inspired Lord Uplandtowers’ resolve to win her. Nobody ever knew when he formed it, or whence he got his assurance of success in the face of her manifest dislike of him. Possibly not until after that first important act of her life which I shall presently mention. His matured and cynical doggedness at the age of nineteen, when impulse mostly rules calculation, was remarkable, and might have owed its existence as much to his succession to the earldom and its accompanying local honours in childhood, as to the family character; an elevation which jerked him into maturity, so to speak, without his having known adolescence. He had only reached his twelfth year when his father, the fourth Earl, died, after a course of the Bath waters.

  Nevertheless, the family character had a great deal to do with it. Determination was hereditary in the bearers of that escutcheon; sometimes for good, sometimes for evil.

  The seats of the two families were about ten miles apart, the way between them lying along the now old, then new, turnpike-road connecting Havenpool and Warborne with the city of Melchester: a road which, though only a branch from what was known as the Great Western Highway, is probably, even at present, as it has been for the last hundred years, one of the finest examples of a macadamized turnpike-track that can be found in England.

  The mansion of the Earl, as well as that of his neighbour, Barbara’s father, stood back about a mile from the highway, with which each was connected by an ordinary drive and lodge. It was along this particular highway that the young Earl drove on a certain evening at Christmastide some twenty years before the end of the last century, to attend a ball at Chene Manor, the home of Barbara, and her parents Sir John and Lady Grebe. Sir John’s was a baronetcy created a few years before the breaking out of the Civil War, and his lands were even more extensive than those of Lord Uplandtowers himself; comprising this Manor of Chene, another on the coast near, half the Hundred of Cockdene, and well-enclosed lands in several other parishes, notably Warborne and those contiguous. At this time Barbara was barely seventeen, and the ball is the first occasion on which we have any tradition of Lord Uplandtowers attempting tender relations with her; it was early enough, God knows.

  An intimate friend—one of the Drenkhards—is said to have dined with him that day, and Lord Uplandtowers had, for a wonder, communicated to his guest the secret design of his heart.

  “You’ll never get her—sure; you’ll never get her!” this friend had said at parting. “She’s not drawn to your lordship by love: and as for thought of a good match, why, there’s no more calculation in her than in a bird.”

  “We’ll see,” said Lord Uplandtowers impassively.

  He no doubt thought of his friend’s forecast as he travelled along the highway in his chariot; but the sculptural repose of his profile against the vanishing daylight on his right hand would have shown his friend that the Earl’s equanimity was undisturbed. He reached the solitary wayside tavern called Lornton Inn—the rendezvous of many a daring poacher for operations in the adjoining forest; and he might have observed, if he had taken the trouble, a strange post-chaise standing in the halting-space before the inn. He duly sped past it, and half-an-hour after through the little town of Warborne. Onward, a mile farther, was the house of his entertainer.

  At this date it was an imposing edifice—or, rather, congeries of edifices—as extensive as the residence of the Earl himself; though far less regular. One wing showed extreme antiquity, having huge chimneys, whose substructures projected from the external walls like towers; and a kitchen of vast dimensions, in which (it was said) breakfasts had been cooked for John of Gaunt. Whilst he was yet in the forecourt he could hear the rhythm of French horns and clarionets, the favourite instruments of those days at such entertainments.

  Entering the long parlour, in which the dance had just been opened by Lady Grebe with a minuet—it being now seven o’clock, according to the tradition—he was received with a welcome befitting his rank, and looked round for Barbara. She was not dancing, and seemed to be preoccupied—almost, indeed, as though she had been waiting for him. Barbara at this time was a good and pretty girl, who never spoke ill of any one, and hated other pretty women the very least possible. She did not refuse him for the country-dance which followed, and soon after was his partner in a second.

  The evening wore on, and the horns and clarionets tootled merrily. Barbara evinced towards her lover neither distinct preference nor aversion; but old eyes would have seen that she pondered something. However, after supper she pleaded a headache, and disappeared. To pass the time of her absence, Lord Uplandtowers went into a little room adjoining the long gallery, where some elderly ones were sitting by the fire—for he had a phlegmatic dislike of dancing for its own sake,—and, lifting the window-curtains, he looked out of the window into the park and wood, dark now as a cavern. Some of the guests appeared to be leaving even so soon as this, two lights showing themselves as turning away from the door and sinking to nothing in the distance.

  His hostess put her head into the room to look for partners for the ladies, and Lord Uplandtowers came out. Lady Grebe informed him that Barbara had not returned to the ball-room: she had gone to bed in sheer necessity.

  “She has been so excited over the ball all day,” her mother continued, “that I feared she would be worn out early… But sure, Lord Uplandtowers, you won’t be leaving yet?”

  He said that it was near twelve o’clock, and that some had already left.

  “I protest nobody has gone yet,” said Lady Grebe.

  To humour her he stayed till midnight, and then set out. He had made no progress in his suit; but he had assured himself that Barbara gave no other guest the preference, and nearly everybody in the neighbourhood was there.

  “’Tis only a matter of time,” said the calm young philosopher.

  The next morning he lay till near ten o’clock, and he had only just come out upon the head of the staircase when he heard hoofs upon the gravel without; in a few moments the door had been opened, and Sir John Grebe met him in the hall, as he set foot on the lowest stair.

  “My lord—where’s Barbara—my daughter?”

  Even the Earl of Uplandtowers could not repress amazement. “What’s the matter, my dear Sir John,” says he.

  The news was startling, indeed. From the Baronet’s disjointed explanation Lord Uplandtowers gathered that after his own and the other guests’ departure Sir John and Lady Grebe had gone to rest without seeing any more of Barbara; it being understood by them that she had r
etired to bed when she sent word to say that she could not join the dancers again. Before then she had told her maid that she would dispense with her services for this night; and there was evidence to show that the young lady had never lain down at all, the bed remaining unpressed. Circumstances seemed to prove that the deceitful girl had feigned indisposition to get an excuse for leaving the ball-room, and that she had left the house within ten minutes, presumably during the first dance after supper.

  “I saw her go,” said Lord Uplandtowers.

  “The devil you did!” says Sir John.

  “Yes.” And he mentioned the retreating carriage-lights, and how he was assured by Lady Grebe that no guest had departed.

  “Surely that was it!” said the father. “But she’s not gone alone, d’ye know!”

  “Ah—who is the young man?”

  “I can on’y guess. My worst fear is my most likely guess. I’ll say no more. I thought—yet I would not believe—it possible that you was the sinner. Would that you had been! But ’tis t’other, ’tis t’other, by God! I must e’en up, and after ’em!”

  “Whom do you suspect?”

  Sir John would not give a name, and, stultified rather than agitated, Lord Uplandtowers accompanied him back to Chene. He again asked upon whom were the Baronet’s suspicions directed; and the impulsive Sir John was no match for the insistence of Uplandtowers.

  He said at length, “I fear ’tis Edmond Willowes.”

  “Who’s he?”

  “A young fellow of Shottsford-Forum—a widow-woman’s son,” the other told him, and explained that Willowes’s father, or grandfather, was the last of the old glass-painters in that place, where (as you may know) the art lingered on when it had died out in every other part of England.